Archive for January, 2010

The Technique that Produces The Fullest Sound

Monday, January 25th, 2010

Now that you have some playing experience under your belt, we can move ahead to some more interesting playing styles. This chapter covers the basics of playing individual notes,rather than just strumming chords. To learn to play melodies, we have to learn more sophisticated right-hand playing techniques.This chapter introduces two of the more common styles of playing individual notes: the rest stroke and the free stroke. By learning these techniques, you will be able to play notes cleanly and easily, with a full sound. These techniques will lay the basis for all of your future playing, so we will break down their components so you can quickly understand and master
them.

Up to now, most of what we have covered could be played with a pick, but we will be studying arpeggios that are much easier to play with the fingers. For the single-note melodies that follow, a pick could be used, but now is a good moment to learn the principal stroke used for melody lines on the finger-style and classical guitar, known as the rest stroke.

The rest stroke is the technique that produces the fullest sound from a single note. It is played by plucking the string in such a way that, when the movement is completed, the fingertip comes to rest on the adjacent stringhence the name.

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Nylon Strings are Used on Classical Guitars

Thursday, January 14th, 2010

Just as there are different types of guitars, there are different types of strings. Here are the principal types:

  • Nylon strings are used on classical guitars. In fact, it is dangerous to use heavier strings on a classical guitar, because the instrument is not designed to withstand the high tension they produce. The three lowest strings are made of silver-plated copper wire wound on a core of nylon strands. The upper three are pure nylon filaments.
  • Steel strings are designed for acoustic folk guitars. The bass strings are wound on a core of silk or nylon.
  • Heavier wound metal strings are designed for electric guitars.

Core and winding materials vary among string makers, and you may wish to experiment with different types to see which produces the sound you like best.Strings are also available with different shapes or contours, from flat to fully rounded. Strings are also sold in light, medium, or heavy gauges. This has to do with the amount of elasticity in the string: light-gauge strings are more elastic and therefore easier to play than heavy ones. Again, depending on the kind of music you play and your own personal taste, you’ll be able to choose the proper string for you. It’s always worthwhile to try different types of strings on your instrument to see if a simple change of strings can lead to improved sound and playability.

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The Metal Strings of The Acoustic Guitar

Thursday, January 7th, 2010

The strings are supported by detachable bones at the nut and bridge (see illustration). The nut bone, which is slightly grooved to provide a guide for each string, sets the height above the fingerboard at that end. If the strings are too low they will buzz against the frets. If they are too high, the guitar becomes hard to play, which can completely discourage you from continuing.

If the setting is too high, the nut bone needs to be removed and filed down from the underside.If it is too low, a sliver of cardboard or similar material may be inserted underneath, but this should be a temporary solution until a new bone of the right height can be obtained. On a classical guitar the height of the strings at the first fret will be about 1/16 in (1.5 mm).

At the bridge end, a similar adjustment can be made to the bridge bone to produce a height at the twelfth fret of approximately 3/16 in (5 mm). The reason the measurements are approximate is that the exact amount depends on the height of the frets and the total string length, both of which vary from maker to maker.

Note that these measurements are for the nylon string guitar. The metal strings of the acoustic guitar are set lower due to the greater tension, and for the sake of the left hand, steel strings need to be as low as is practical, consistent with clear sound.

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