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When we think of something best in technology, we think of Apple. From Mac computers to Apple TV and from iPods to iPhones, they have done it all. Apple has become almost synonymous with music. The iPod is inarguably the best creation of Apple. Likewise a music lover can not resist iTunes. One can download songs from Apple iTunes. It is a huge hit among people all over the world for providing download services.

The iTunes Store was launched with a simple idea to provide a virtual shop where people can buy and download digital music on-demand. Earlier, only 200,000 songs featured on the list. Also the accessibility was limited to mac users only. But, with time iTunes has risen to an unprecedented position. They have sold almost 4 billion songs till date. Here we bring you the Top 10 downloads from Apple iTunes.

1) ”Tik Tok” features on the top slot of download chart of Apple iTunes. Beautifully sung by American pop artist, Kesha for her album, Animal, this song is her lead single. Co-written by Kesha Sebert, Benjamin Levine and Lukasz Gottwald and produced by Benny Blanco and Dr. Luke it comes under Dance-pop/electropop genre. This song found success in United States, Canada, Australia and New Zealand where it topped all the national charts. In addition, the song has also reached the top ten in many European nations.

2) From her album, The Fame Monster, American artist Lady Gaga brings ”Bad Romance”. RedOne has produced this track and it features at number two position in our chart.

3) At number three, we have ”Replay” by British Virgin Islands artist Iyaz. It is his first single from album My Life which is scheduled to release in 2010. With its debut at number 96 on the Billboard Hot 100, the song has climbed to #4.

4) Written and produced by Adam Young, fourth song on our chart is “Fireflies” by Owl City from his second album, Ocean Eyes.

5) Released on June 30, 2009 and sung by a British artist, Jay Sean,

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History

Radio 3 is the successor station to the Third Programme which was originally launched on 29 September 1946. The name changed on 30 September 1967 when the BBC launched its first pop music station, Radio 1. The three other national radio channels were then renamed Radio 2, (formerly the Light Programme), Radio 3 and Radio 4, (formerly the Home Service). Radio 3 took over the service which had been known under the umbrella title of the Third Network and which included on the same frequency the Third Programme itself, the Music Programme and various sports and adult education programmes. All the component programmes, including the Third Programme, kept their separate identities within Radio 3 until 4 April 1970, when there was further reorganisation following publication of the BBC document Broadcasting in the Seventies.

Broadcasting in the Seventies

In July 1969, the BBC published the document Broadcasting in the Seventies, later described by a senior BBC executive, Jenny Abramsky, Head of Radio and Music, as “the most controversial document ever produced by radio”. Prompted partly by the problem of rising costs, one of its main thrusts was the move towards “generic” stations, each catering for a defined audience. One early option under consideration was the reduction of the four radio networks to three, and “Day-time serious music would be the casualty”. Radio 1, Radio 2 and Radio 4 would broadcast during the day time, while in the evening Radios 1 and 2 would merge and Radio 3 would broadcast on the vacated frequency. Rumours were circulating that Radio 3 would be abolished altogether, with The Guardian stating that there was a strong “statistical case” against the station. However, the Director-General, Charles Curran, publicly denied this as “quite contradictory to the aim of the BBC, which is to provide a comprehensive radio service”. Curran had earlier dismissed

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I’ve been a regular to several of the major worldwide music conferences over the years, from MIDEM (Cannes) and Popkomm (Berlin) to Canadian Music Week (Toronto). These have not only been a great opportunity to meet and do business with companies in major Western markets, but to also gain a true perspective on the challenges and opportunities specific to those markets. So, it was with quite some excitement that I made my way to Hong Kong for my first trip to Asia, and the 4th edition of Music Matters at the Grand Hyatt from June 2-4 ( http://www.musicmatters.asia ).

From the start, it was clear that Music Matters has a distinctly different feel from most other conferences, more of what I’d call a ‘family affair’. Unlike other conferences that offer a plethora of simultaneous, often lightly attended, Music Matters sets a unified program followed by all delegates. The message is clear: If you want to understand the Asian market, here is the information you will need. And whereas the other conferences make participants available to facilitate scheduling meetings in advance, Music Matters takes a completely opposite approach. “We want a free-flowing networking event where everyone has access to everyone else in a open format,” explained Commercial Director Stan Ruza.

While I was initially skeptical that this would work, it ended up being a nice and productive change, especially for someone looking to build up a broad base of contacts in Asia. I left with as many contacts as I do from other conferences, even though it was much smaller — composed mostly of decision makers from all the major Asian markets: from Tokyo to Mumbai, Sidney to Kuala Lumpur.

Japanese Nirvana

While I learned a lot about the Asian market in those 2 days, the most surprising “revelation” was actually a question: when will the Japanese music market surpass the US for the #1 position? More shocking were the estimates ranging from only 5-10

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