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Plot

Every penguin sings a unique song called a “heartsong” to attract a mate. If the female likes the male and his song, and if it completes the female’s song, the two penguins mate. A penguin named Norma Jean sings the song “Kiss”, whereupon a male penguin named Memphis sings “Heartbreak Hotel”. Norma Jean chooses him as her mate. They couple and Norma Jean lays an egg. The egg is left with Memphis while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis drops the egg, briefly exposing it to the freezing Antarctic temperatures. The resulting chick – the film’s protagonist, Mumble (voiced by Elizabeth Daily) – has blue eyes, ever-lasting down feathers, and a terrible singing voice. However, Mumble has a talent that no other penguin has ever seen before: tap dancing. As a result, Mumble is ostracized, with only his mother and his best friend Gloria to turn to. One day Mumble wanders into a secluded area, where he is free to dance. Mumble is interrupted when Boss Skua and his posse Dino, Frankie, and Vinnie attempt to eat him. Mumble stalls by asking the leader of the pack about a yellow band that is attached to his right ankle. The Boss Skua tells Mumble that he had been abducted by “aliens”. Mumble narrowly escapes the hungry birds by falling into a crevice.

Mumble grows into an adult, still half-covered in fluffy down. Mumble’s class graduates, and although he has not graduated, he joins them on their first trip into the ocean. His class ends their day by partying on an iceberg. Mumble constantly interrupts their singing and is forced to enjoy the party on a small iceberg. Mumble dozes off and wakes to find himself alone. A leopard seal chases him off the iceberg, and the penguin finds himself far from his home. He finds some Adelie Penguins, small in stature, but fiercely loyal to those they call friends. He befriends a small group of bachelors who form a club called “the Amigos”: the

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You’re a singer looking for great audience songs for women. Have you thought about a “House song” from a Musical?

A House song bridges the gap between the audience and the singer, when the character comes out of the story on stage and speaks directly to the viewers, know that he (and the drama) is being watched.

In Musical theater there are not many real House songs, but there are a number of songs you can alter to make your performance cross that invisible fourth wall between you and the audience.

In this article I suggest 60 songs for women from the Musical Theater repertoire that could be sung as a House song. They fall into three categories: the true House song, the audience number and the soliloquy.

In the first category, the true House song, the musical is written deliberately for the character to step out of the drama and speak to the viewers. Think of Diva’s Lament from Spamalot, or You Can Always Count On Me from City of Angels. When You’re Good To Mama from Chicago springs to mind immediately. Other true House songs include Big Spender from Sweet Charity (originally a chorus number but can be sung by one person), I’m Still Here from Follies, Broadway Baby from Follies, I Just Wanna Dance from Jerry Springer, Jonny One Note from Babes in Arms, and Nobody Does It Like Me – the Cy Coleman song from the musical SeeSaw. And Miss Byrd from Closer Than Ever shares her secret across the fourth wall. Read the rest of this entry →

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