free online music

Well, we made it. The vinyl record revival is in full swing. With many independent artists issuing new releases via the format and many mainstream artists following suit, it is a great place in music history. Add to this the numerous reissues of classic LP’s and the vinyl comeback is complete.

Along with the vinyl revival are new Internet web sites that cater to collectors and music lovers. One such site that has just launched is www.NYLVI.com, is social marketplace that will support independent artists, labels and record stores and will aid in the spreading of musical innovation to the global community of music lovers and record collectors.

I spoke with NYLVI co-founder Ivar Lien about the goals, ideals and values of this new, growing vinyl record community:

There are many vinyl sites on the Internet today, what will set yours apart from the others- what will make you unique?

”We think there are two main aspects that set us apart from other sites. First of all, we have structured our marketplace to reflect the world’s major music scenes. This we hope will make it easier for users to discover more new music and that local artists will be able to find a bigger audience. To make this possible we are cooperating with some of the finest bloggers from these scenes, so previews of all their posts can be read on our scene pages. Instead of creating distant editorials and boring recommendations, we think it’s much better to give the word to local experts, who participate in these scenes on a daily basis.”

”A second aspect we think set us a part from other services is how we emphasize the social aspects of vinyl collecting. We want to be something more than a simple marketplace. Through various features we want to include the users and enable increased interaction. We want to be a community for music and vinyl enthusiasts, a place where they can meet, share and exchange knowledge and

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Life and career

Early life

Peart was born on his family’s farm in Hagersville, on the outskirts of Hamilton. The first child of four, his brother Danny and sisters Judy and Nancy were born after the family moved to St. Catharines when Peart was two. At this time his father became parts manager for Dalziel Equipment, a farm machinery supplier. In 1956 the family moved to the Port Dalhousie area of the town. Peart attended Gracefield School, and describes his childhood as happy and says he experienced a warm family life. By early adolescence he became interested in music and acquired a transistor radio, which he would use to tune into pop music stations broadcasting from Toronto, Hamilton and Welland, Ontario and Buffalo, USA.

His first exposure to musical training came in the form of piano lessons, which he later said in his instructional video A Work in Progress did not have much impact on him. He had a penchant for drumming on various objects around the house with a pair of chopsticks, so for his 13th birthday, his parents bought him a pair of drum sticks, a practice pad and some lessons, with the promise that if he stuck with it for a year, they would buy him a kit.

His parents bought him a drum kit for his 14th birthday and he began taking lessons from Don George at the Peninsula Conservatory of Music. His stage debut took place that year at the school’s Christmas pageant in St. Johns Anglican Church Hall in Port Dalhousie. His next appearance was at Lakeport High School with his first group, The Eternal Triangle. This performance contained an original number entitled “LSD Forever”. At this show he performed his first solo.

Peart got a job in Lakeside Park, a fairground on the shores of Lake Ontario, which later inspired a song of the same name on the Rush album Caress of Steel. He worked on the Bubble Game and Ball Toss, but his tendency to take it easy when business was slack resulted in his termination. By his late

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Early years

Bobby Darin was born to a poor, working-class Italian-American family in the Bronx, New York. The person thought to be his father (who was actually his grandfather) died in jail a few months before he was born. It was the height of the Great Depression, and he once remarked that his crib was a cardboard box, then later a dresser drawer. He was initially raised by his mother Polly and his sister Nina, subsisting on Home Relief until Nina later married and started a family with her new husband Charlie Maffia. It was not until Darin was an adult that he learned Nina, who was 17 years his senior, was in fact his birth mother, and that Polly, the woman he thought was his mother, was really his grandmother. He was never told the identity of his real father, other than being told that his birth father had no idea Nina was pregnant, and thus never knew that Bobby was even born. Polly mothered him well, despite her own medical history resulting in her addiction to morphine. It was Polly who took the young Bobby to what was left of the old vaudeville circuit in New York, places like the Bronx Opera House, and the RKO Jefferson in Manhattan, where he received his first showbiz inspiration, and where he saw performers like Sophie Tucker, whom he loved.

Darin was frail and sickly as an infant and, beginning at the age of 8, was stricken with multiple recurring bouts of rheumatic fever. The illness left him with a seriously weakened heart. Overhearing a doctor tell his mother he would be lucky to reach the age of 16, Darin lived with the constant knowledge that his life would be short, which further motivated him to use his talents. He was driven by his poverty and illness to make something of his life and, with his innate talent for music, by the time he was a teenager he could play several instruments, including piano, drums and guitar. He later added harmonica and xylophone.

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