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Early life and musical roots: 194564
George Ivan (Van) Morrison was born on 31 August 1945, in Bloomfield, Belfast, Northern Ireland as the only child of George Morrison, a shipyard worker, and Violet Stitt Morrison, a singer and tap dancer in her youth. Van Morrison’s family roots descend from the Ulster Scots population that settled in Belfast. From 1950 to 1956, Morrison, who began to be known as “Van” during this time, attended Elmgrove Primary School. Morrison’s father had what was at the time one of the largest record collections in Ulster (acquired during his sojourn in Detroit, Michigan in the early 1950s), and the young Morrison grew up listening to artists such as Jelly Roll Morton, Ray Charles, Lead Belly, and Solomon Burke; of whom Morrison later said, “If it weren’t for guys like Ray and Solomon, I wouldn’t be where I am today. Those guys were the inspiration that got me going. If it wasn’t for that kind of music, I couldn’t do what I’m doing now.” His father’s record collection exposed him to various musical genres, such as the blues of Muddy Waters; the gospel of Mahalia Jackson; the jazz of Charlie Parker; the folk music of Woody Guthrie; and country music from Hank Williams and Jimmie Rodgers, while the first record he ever bought was by blues musician Sonny Terry. When Lonnie Donegan had a hit with “Rock Island Line”, written by Huddie Ledbetter (Lead Belly), Morrison felt he was familiar with and able to connect with skiffle music as he had been hearing Lead Belly before that.
Morrison’s father bought him his first acoustic guitar when he was eleven, and he learned to play rudimentary chords from the song book, The Carter Family Style, edited by Alan Lomax. A year later, when he was twelve years old, Morrison formed his first band, a skiffle group, “The Sputniks”, named after the recently launched Soviet satellite, Sputnik 1. In 1958, the band played at some of the local cinemas, and Morrison took the lead, contributing most of the

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For a guitar player, the challenge to write your own songs can certainly be an intriguing one – playing your own music on the instrument that you love. It can also be tremendously rewarding when you get it right.

When you play the guitar, if you are reading from a book, then sometimes you can feel like a robot – you are simply obeying the instructions of another. Writing your own music, however, gives you more freedom and creativity when it comes to playing. Whatever you have in mind, whether it’s a gentle instrumental piece or even writing your own music, it’s a wonderfully creative process that will encourage your ability to understand the rhythms and sounds that you hear every day.

Music is supposed to be free-flowing and creative – both in the notes and in the emotional response from the listener. The magic formula for songwriting does not exist, and that only serves to make it a more exciting process.

Despite the absence of the magic formula, there are a number of tips and techniques that you can learn in order to create your own music on the guitar:

·    Think of a word such as, for example, ‘snow’. Now think of how you would represent snow musically on your guitar. You may start out with just a few notes and mistimed chords, but keep at it. Think of all the things that the word ‘snow’ means to you, and play that.
·    Try some other words – ‘rain’ or ‘sadness’, for example – and try to create something which best represents those words in your own way. You’ll find that you will fuss around with the notes a bit, but eventually you will find a finger-picking motion that you like. It doesn’t have to signify the same word to other people – music is best when it is objective.
·    If you are writing lyrics to go with your music what works for one person may not work for another, so experiment. There are two ways you can approach this: you can start out with the words

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Six o’clock, and with it comes a beautiful fall morning and a pretty nasty hangover. While the homecoming party last night was memorable, I have no time to reminisce. This figures to be a pretty busy day. I take an aspirin, drink an orange juice, and take my trusty old Yamaha acoustic guitar from my closet. I bought it online from Amazon two months ago, and because I used coupon codes it came with an aluminum pick and was shipped for free.

Eight-thirty: I have been practicing the tabs of this Rufus Wainwright song – as well as some original compositions – for over two hours now. My band mates haven’t yet called; we are all supposed to meet after lunch to rehearse for the gig tonight at a local bistro called The House of Blues. They’re probably all still asleep, with the exception of Andrew, who is the most diligent harmonica player I’ve ever known.

Ten-twenty: After my Communications Theory class, I pull out my cell phone to read the text message I’ve been waiting for. “Let’s meet at Tony’s house 1 pm. See you later.” Tony is our lead vocalist, he has a really powerful rock star voice, but I don’t think he realizes how good he is. Oh – he also has a neat house and a makeshift recording studio in his basement with a lot of awesome audio equipment and hi-tech effects pedals.

Twelve noon: I have just had lunch (a four-inch BLT sandwich), and before I drive all the way to Tony’s house, I first check in at the library to look up something on the Internet. Andrew had E-mailed me something he saw at the Guitar Center website; it was a combo amp that might work well with my guitar. I find out that if I use coupon codes I can slash down the price from $150 to $100 – a good deal, considering that it’s one of the most popular brands for musicians and audiophiles, Crate. Anyway, I also chat online briefly with my girlfriend Jenny, who I hope will show up to watch us tonight.

One-thirty: We’re feeling it. Tony is in his element, Andrew is showing off some new musical stylings, Richard at the keyboards is striking complicated but breathtakingly pretty chords, and I am plucking and twanging away like Johnny Lang who has drunk too much caffeine. I love making music, and it makes it even all the more worthwhile with a group of friends who are so dedicated to the craft – and who don’t worry too much about talent fees.

Five in the afternoon, and we are all headed to The House of Blues. I like the place not only because they serve some tasty barbecue, but also because they have an addictive pinball machine right by the cocktail bar and the owner lets performers like us play for free. But Jenny’s not yet here, I’m afraid. “Still in Starbucks, having coffee with girlfriends,” her text message reads. Well, that or she’s compulsively scouring the Internet again for Victoria’s Secret coupon codes.

Nine-thirty: Our one-hour set is almost over. For the first time we perform “Teasingly Hazel Eyes” – a song I wrote as a tribute to Jenny. Yes, she did show up, and she clapped louder than the rest of them. As I get off the stage with Tony, Richard, Andrew, and my beloved guitar, I immediately walk up towards my girl and give her a kiss.