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Classical Gas is one of the most requested and most familiar instrumental pieces of all time. In an episode of The Simpsons called “Last Exit to Springfield” Homer leads the workers of the nuclear power plant in a strike to recover their lost dental plan. While they picket the plant, Lisa plays a bleak worker\’s song. As she finishes, Lenny shouts, “Play Classical Gas”. Lisa plays the guitar and everybody watching the episode on TV goes, “Oh, yeah, THAT tune!” Classical Gas is always asked for whenever a bunch of people and a nylon string acoustic guitar are in the same room. It is not really a great technical showcase for finger style guitarists but it is a great vehicle to show off the sound of the classical guitar.

Classical Gas was released into the world in 1968. A song by The Doors prevented it from turning into a number one hit but it remained in the second place for two weeks. Forty years later it is still among the most familiar tunes of all time and, along with The Anonymous Romance and Leucona\’s Malaguena regarded as an essential element of the classical guitar repertoire. And nobody can say why.

The impact of Classical Gas is way more than the sum of its parts. There are very few musical ideas in the tune. It is mainly repetition of a theme made up of a few notes. There are a few parts that are unforgettable “surprises” making use of syncopation, scales, strums, and abrupt time signature changes. Somehow all the bits link together like pearls on a necklace, and the final note adds a sublime resolution.

The composer, Mason Williams, states on his website, “I didn\’t really have any big plans for it, other than maybe to have a piece to play at parties when they passed the guitar around. I envisioned it as simply repertoire or “fuel” for the classical guitar, so I called it Classical Gasoline.” Mason Williams\’ day job was as a comedy writer and stand-up comedian who had lots of other projects besides writing a classical guitar

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Now that you have some playing experience under your belt, we can move ahead to some more interesting playing styles. This chapter covers the basics of playing individual notes,rather than just strumming chords. To learn to play melodies, we have to learn more sophisticated right-hand playing techniques.This chapter introduces two of the more common styles of playing individual notes: the rest stroke and the free stroke. By learning these techniques, you will be able to play notes cleanly and easily, with a full sound. These techniques will lay the basis for all of your future playing, so we will break down their components so you can quickly understand and master
them.

Up to now, most of what we have covered could be played with a pick, but we will be studying arpeggios that are much easier to play with the fingers. For the single-note melodies that follow, a pick could be used, but now is a good moment to learn the principal stroke used for melody lines on the finger-style and classical guitar, known as the rest stroke.

The rest stroke is the technique that produces the fullest sound from a single note. It is played by plucking the string in such a way that, when the movement is completed, the fingertip comes to rest on the adjacent stringhence the name.