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	<title>free online music &#187; Gaps</title>
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		<title>Symbol In The Music</title>
		<link>http://www.jennibmusic.com/symbol-in-the-music/</link>
		<comments>http://www.jennibmusic.com/symbol-in-the-music/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 18:46:46 +0000</pubDate>
		<dc:creator>Jennib And Friends</dc:creator>
				<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[all.']]></category>
		<category><![CDATA[Blues Rhythm Guitar]]></category>
		<category><![CDATA[Breathing Room]]></category>
		<category><![CDATA[Breathing Space]]></category>
		<category><![CDATA[Gaps]]></category>
		<category><![CDATA[Left Hand Technique]]></category>
		<category><![CDATA[Music Blues]]></category>
		<category><![CDATA[Music Listen]]></category>
		<category><![CDATA[Plays]]></category>
		<category><![CDATA[Sonic]]></category>
		<category><![CDATA[the]]></category>
		<category><![CDATA[top]]></category>
		<category><![CDATA[Two Hands]]></category>
		<category><![CDATA[Wall Of Sound]]></category>

		<guid isPermaLink="false">http://www.jennibmusic.com/?p=27</guid>
		<description><![CDATA[


Listen to blues rhythm guitar and you hear that it’s not one repetitive wall of sound, but an open, varied sound with breathing room and subtle breaks. It’s these breaks that prevent the chord strums from running into each other and creating sonic mush. The little gaps in sound keep a strumming figure sounding crisp [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Listen to blues rhythm guitar and you hear that it’s not one repetitive wall of sound, but an open, varied sound with breathing room and subtle breaks. It’s these breaks that prevent the chord strums from running into each other and creating sonic mush. The little gaps in sound keep a strumming figure sounding crisp and controlled.</p>
<p style="text-align: justify;">To create a rhythm guitar part with some breathing space between the notes, you need to stop the strings from ringing momentarily. And I’m talking very small moments here  much smaller than can be indicated by a rest symbol in the music. You can stop the strings instantly with the left hand  letting the left hand go limp is the best and quickest way to stop a string from ringing far faster and more controlled than anything you can do with the right hand.</p>
<p style="text-align: justify;">This left hand technique may seem out of place in a chapter devoted to the right hand, but it belongs here because it’s a coordinated effort between the two hands, which can only occur when the right hand plays.</p>
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