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Music is considered as a combination of sounds form instruments into a rhythmic and harmonic pattern pleasing and attractive to the ears of everyone. This implies that we have to make it accessible to any person who is handicapped in the least form. Thus in making a choice of instrument, we must address the concerns of our beloved handicapped brothers and sisters. We can either make our instruments accessible to them or provide a separate one that will match to their conditions.

Our first concern should address their physical conditions. Operating a musical instrument involves many parts on the body. These parts most of the time do coordinate to successfully function well. For example, the hand, eyes and ears are all involved in playing a piano. A player with a slight disability on the left hand will find it difficult to play this musical instrument.

Consider the size of the player. It is true that some instruments are and must be bigger than others. How big an instrument is will be a relative term. A small instrument to you may be big for me with a smaller mass. The manufacturers have provided the same instruments with various types of edition which can suit all sizes of persons. For example, the guitar has been fabricated into so many sizes.

A number of appliances call for more bodily strength than others. This can be corrected by adjusting or adapting the device or its playing position or obtaining other supports so that every person with any bodily potency can get access to that instrument. If you are considering physical support in relation to the instrument, I will advocate you visit a counselor who is well vested in the special needs of the disable. You can equally visit charitable and other trust foundations which has concerns for the handicapped.

Consider the suitability of that instrument to the player. Do you think that given his deficiency, he will be drawn to that instrument?

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A full bar in guitar parlance is not a crowded tavern but a valuable technique that involves placing the left-hand first finger across all the strings. This facilitates the playing of full chords that can be moved as a pattern around the fingerboard.

Learning this new skill is an important step, since it distinguishes the experienced player from the novice. If done correctly, it is an easy and comfortable device; if done wrong, it can cramp the hand and offend the ear.In this chapter we learn to do it the right way.

We’ve seen in our previous study that the first finger of the left hand is sometimes used to cover more than one string, as in the F chord, where it is used for two strings. When the finger goes across all the strings this is known as a full bar. Somewhat illogically, anything less than a full bar is known as a half bar.

Beginners tend to find barring difficult until the left hand has acquired a degree of strength and control. However, if the bar is done correctly it is not necessary to use great strength. As with the half bar, it is far more important to find the right position for the finger so that all the notes can sound clearly with only moderate pressure.

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The strings are supported by detachable bones at the nut and bridge (see illustration). The nut bone, which is slightly grooved to provide a guide for each string, sets the height above the fingerboard at that end. If the strings are too low they will buzz against the frets. If they are too high, the guitar becomes hard to play, which can completely discourage you from continuing.

If the setting is too high, the nut bone needs to be removed and filed down from the underside.If it is too low, a sliver of cardboard or similar material may be inserted underneath, but this should be a temporary solution until a new bone of the right height can be obtained. On a classical guitar the height of the strings at the first fret will be about 1/16 in (1.5 mm).

At the bridge end, a similar adjustment can be made to the bridge bone to produce a height at the twelfth fret of approximately 3/16 in (5 mm). The reason the measurements are approximate is that the exact amount depends on the height of the frets and the total string length, both of which vary from maker to maker.

Note that these measurements are for the nylon string guitar. The metal strings of the acoustic guitar are set lower due to the greater tension, and for the sake of the left hand, steel strings need to be as low as is practical, consistent with clear sound.